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On Consecrating an Image of ShakyamuniBuddha Made by Shijō Kingo

Chapter4(Clarifying the True Meaning of Buddha Images)

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In addition, the doctrine of three thousand realms in a single moment of life arises from the concept of the three realms of existence. The three realms of existence are as follows: first, the realm of living beings; second, the realm of the five components; and third, the realm of the environment. Let us set aside the first two for now. The third, the realm of the environment, refers to the realm of plants and trees. And the realm of plants and trees includes those plants and trees from which are produced the five shades of pigment used in painting. From this pigment, painted images are created, and from trees, wooden statues are made.

It is the power of the Lotus Sutra that can infuse such paintings and statues with a “soul” or spiritual property. This was the realization of the Great Teacher T’ien-t’ai. In the case of living beings, this doctrine is known as attaining Buddhahood in one’s present form; in the case of painted and wooden images, it is known as the enlightenment of plants and trees. This is why [the Great Teacher Chang-an] wrote, “There has never been anything to compare to the brightness and serenity of concentration and insight,”4 and why [the Great Teacher Miao-lo] stated, “They are nevertheless shocked and harbor doubts when they hear for the first time the doctrine that insentient beings possess the Buddha nature.”5

This doctrine [of three thousand realms in a single moment of life] was never heard of in the ages [before the Great Teacher T’ien-t’ai], nor was it known in the ages that followed. And even if it did appear, one may be certain that it had been stolen from him.

However, some two hundred years after the time of T’ien-t’ai, Shan-wu-wei, Chin-kang-chih, and Pu-k’ung founded the so-called True Word school on the basis of the Mahāvairochana Sutra. And then, although there is no mention of any such doctrine in the Mahāvairochana Sutra as the Buddha expounded it, they stole the doctrine of three thousand realms in a single moment of life from the Lotus Sutra and T’ien-t’ai’s commentary, and proceeded to make it the heart and core of the True Word school. Moreover, they pretended that the doctrine had originated in India, and in this way deceived and misled the later-day scholars of China and Japan. No one knows the truth of the matter, but all alike assent to and put faith in the assertions of the True Word school. This has been going on now for more than five hundred years.

This being the case, the wooden and painted images that were made and consecrated before the time of the True Word school [when the T’ien-t’ai practices were followed] have manifested extraordinary powers, but those in temples and pagodas built after True Word [practices were adopted for the eye-opening ceremony] produce very little benefit. Since there are many instances of this, I will not go into detail.

This Buddha of yours, however, is a living Buddha. It differs in no respect from the wooden image of the Buddha made by King Udayana,6 or that fashioned by King Bimbisāra. Surely Brahmā, Shakra, the deities of the sun and moon, and the four heavenly kings will attend you as a shadow accompanies a body and protect you always. (This is the first point I wish to make.)

 

Notes

4. Great Concentration and Insight, preface. “Concentration and insight” is used to refer to the system of meditation set forth by T’ien-t’ai.

5. The Annotations on “Great Concentration and Insight.”

6. A king of Kaushambi in India in Shakyamuni’s time. According to the Increasing by One Āgama Sutra, when Shakyamuni ascended to the heaven of the thirty-three gods to preach the Law to his mother Māyā, King Udayana lamented that he could no longer worship the Buddha and fell ill. His ministers then made a five-foot wooden image of the Buddha; as a result, Udayana recovered from his illness. This is said to have been the first Buddha image ever made. The source for the Daishonin’s reference to a Buddha image made by King Bimbisāra of Magadha in India is not known.

 

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